Skip to main content

Music and Religion/Philosophy


Music was an ever-present part of my childhood in the Presbyterian church. Though I am no longer religious, the church provided a valuable community in which I learned so much about music.

In church services, music was approached in a relatively traditional way. The choir would sing hymns with the congregation as well as prepare a work called an anthem which they sang alone. The majority of the time, the only instrumental accompaniment was the organ. We sang very little modern music; it was a very traditional service. In the service, the music served different purposes depending on where it fell in the predetermined program. There were hymns for collective worship of God as well as solo organ or piano music. This instrumental music always opened and closed the service. It was also used during the service to aid in “opening hearts and minds” for the worship of God. This is one of my favorite parts of the service. How often do we pause, listen, and introspect? I think that music as a vehicle for this kind of self-examination and intention-setting is a wonderful concept.

I was involved in a children’s choir based in the same church for most of my childhood. We sang sacred music, and it was always very important that we understood the meaning behind what we sang. The music directors consistently took time to explain the significance and biblical relevance of the music. Additionally, they often reiterated their belief that our voices and talents were gifts from God, and therefore we should use them to worship him. This was a very prevalent theme throughout my childhood in the church.

Though I am not religious, my experiences with church music are still important to me. Today, with the extreme accessibility of streaming services, music can be treated as very throw-away. In mainstream culture, listening to music isn’t always an intentional thing. I am not saying this is good or bad. That's up to the individual. I am saying that I am thankful for the reverence and respect for music and performance that I learned in the church. As a musician, I try to view performance as an act of gratitude and servitude. It is important to me that I play in a way that is meaningful. I think that, in part, these ideas are influenced by the religious beliefs I was taught as a young child.

The video below is one of my favorite sacred pieces. It is a hymn traditionally sung around Christmas. The choir at my church did not wear robes as they do, but the arrangement is a lot like something typically sang there.



Comments

  1. Our story when we were younger is very similar. I grew up Presbyterian as well and was a part of the children's choir. We didn't sing contemporary much it mostly stuck to traditional hymns as well. The video you linked is very similar to what my church sounded like but our choir was a few less people.

    ReplyDelete
  2. My church did things a little differently to keep the younger generation interested. Instead of Hymns we would often have modern music from bands today. Although in choir for the church we were taught if you do not understand the music and what you are singing then you should not be singing.

    ReplyDelete
  3. I can totally imagine this service being so similar to mine, except that it is in a different language in another country. It is so fascinating how music and religion can have so much similarities in any part of this world. Also, I like that you have used the quote "opening hearts and minds" which best describes the powerful impact of songs in worships.

    ReplyDelete
  4. My church often used bass, guitar, piano and more modern instruments to perform music. It usually kept the younger people more engaged. However, there were still many choir songs that were just accompanied by organ and kept more traditional.

    ReplyDelete

Post a Comment

Popular posts from this blog

Koili Devi, Raveena, and Yasmin Hamdan

Koili Devi, Nepali Singer: Koili Devi was the first female Nepali singer and composer. She is known for her very sweet and melodic voice. Devi emerged via the radio in the 20th century as part of the first generation of professional Nepali singers. She was incredibly prolific, and received several prestigious Nepali awards during her career. In reading about her, it initially surprised me that a woman was able to emerge as a strong figure in a very new Nepali music industry, but then I remembered how revered musical women are in Indian culture. Since India is so close to Nepal, the same mindset is probably present. I remember learning in class how there is a strong tradition of respected female music teachers and performers in India. Koili Devi doesn't seem to be well known on an international level. I think this is probably because Nepal is still a developing country and doesn't currently hold a great deal of international influence. The video below is Devi singing Aja Ko D...